January Book: Quarentine by Jim Crace

This extraordinary novel, a sometimes realistic, sometimes hallucinatory account of the 40 days Jesus spent in the wilderness, is the latest by England's Crace, a writer of great gifts (The Gift of Stones, Continent), and was reportedly the runner-up to The God of Small Things for the Booker prize. It is a remarkably successful attempt to put a story known by everyone into a convincing physical and historical context. The beauty and precision of Crace's writing, as well as his store of knowledge about such arcane matters as weaving two millennia ago and the fauna of the Judean desert, give what could have been a fey experiment an air of overwhelming authority. For a start, Jesus, portrayed as a rather callow youth befuddled by prayer, is not at the center of the canvas. That spot belongs to Musa, a stout, lecherous, bullying merchant with a beguiling tongue, whose skinny and long-suffering wife, Miri, has left him for dead in his tent as the story begins.

December Book: Extremely loud and Incredibly Close by Jonathan Safran Foer

Oskar Schell is not your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. He also collects random photographs for his scrapbook and sends letters to scientists. When his father dies in the World Trade Center collapse, Oskar shifts his boundless energy to a quest for answers. He finds a key hidden in his father's things that doesn't fit any lock in their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to speak to everyone in New York City with the last name of Black. A retired journalist who keeps a card catalog with entries for everyone he's ever met is just one of the colorful characters the boy meets. As in Everything Is Illuminated (Houghton, 2002), Foer takes a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Although this story is not quite as evocative as Oskar's, it does carry forward and connect firmly to the rest of the novel. The two stories finally intersect in a powerful conclusion that will make even the most jaded hearts fall

November Book: Snow in Havana by Carloe Eire

Dan F will host the November book at his humble abode.
REview pending

Sept book: "After Lucy" by Dan Jones

Young widower Porter Ellis, adrift after his beloved wife, Lucy, dies of breast cancer, trades in her old car for a dilapidated hippie van and takes his two children for a road trip across the country. This piquant debut novel starts off appropriately quiet and torpid, as the ambivalent, grief-numbed Porter flounders before taking the plunge into adventure. Once the Ellises leave their Pittsburgh home and get on the road, however, the story blazes with intensity. The kids, Kaylie, 12, and Ben, eight, are up for the ride, but complications ensue involving Lucy's doting, affluent parents, who are understandably over-protective of their grandchildren and consider Porter's jaunt irresponsible and dangerous. Indeed, Porter, a frustrated artist with a dead-end graphic design job, has no idea where he's going. He and the kids are headed perhaps for Rocky Mountain National Park, but they stop at an Indiana ramshackle "RV resort and spa" established by Deadheads, where the major activities are nude bathing, smoking pot and listening to the Grateful Dead. There, they befriend one of the residents, Delilah, a pregnant masseuse with a gentle touch. Trapped by a bad hangover, angry in-laws and a leaky transmission, Porter finally confronts his grief, his increasingly complex and intimate relationships with his children, and his future. Jones uses humor deftly (the family is plagued with problems involving a cell phone) and sensitively portrays the anger, guilt, frustration and possibilities of renewal that follow the death of a loved one.

October Book: Thirteen Moons @ Steve's

Frazier brings a rough-and-tumble pioneer past magnificently to life, indicts America with painful bluntness for the betrayal of its native people and recounts a romance rife with sadness. In a departure from Cold Mountain's Inman, Will Cooper narrates his own story in retrospect, beginning with his days as an orphaned, literate "bound boy" who is dispatched to run a musty trading post at the edge of the Cherokee Nation. Nearly nine mesmerizing decades later, Will is an eccentric elder of great accomplishments and gargantuan failures, perched cantankerously on his front porch taking potshots at passenger trains rumbling across his property (he owns "quite a few" shares of the railroad). Over the years, Will—modeled very loosely, Frazier acknowledges, on real-life frontiersman William Holland Thomas—becomes a prosperous merchant, a self-taught lawyer and a state senator; he's adopted by a Cherokee elder and later leads the clan as a white Indian chief; he bears terrible witness to the 1838–1839 Trail of Tears; a quarter-century later, he goes to battle for the Confederacy as a self-anointed colonel, leading a mostly Indian force with a "legion of lawyers and bookkeepers and shop clerks" as officers; as time passes, his life intersects with such figures as Davy Crockett, Sen. John C. Calhoun and President Andrew Jackson. After the Civil War, Will fritters away a fortune through wanderlust, neglect and unquenched longing for his one true love, Claire, a girl he won in a card game when they were both 12, wooed for two erotic summers in his teen years and found again several decades later. In the novel's wistful coda, recalling Claire's voice inflicts "flesh wounds of memory, painful but inconclusive"—a voice that an uncertain old Will hears in the static hiss when he answers his newfangled phone in the book's opening pages. The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative's true heart.

July Book: Absurdistan by Shteyngart

A "sophisticate and a melancholic," Misha is an obese 30-year-old Russian heir to a post-Soviet fortune. After living in the Midwest and New York City for 12 years, he considers himself "an American impounded in a Russian body." But his father in St. Petersburg has killed an Oklahoma businessman and then turned up dead himself, and Misha, trying to leave Petersburg after the funeral, is denied a visa to the United States. The novel is written as his appeal, "a love letter and also a plea," to the Immigration and Naturalization Service to allow him to return to the States, which lovingly and hilariously follows Misha's attempt to secure a bogus Belgian passport in the tiny post-Soviet country of Absurdistan. Along the way, Shteyngart's graphic, slapstick satire portrays the American dream as experienced by hungry newborn democracies, and covers everything from crony capitalism to multiculturalism. It's also a love story. Misha is in love with New York City and with Rouenna Sales, his "giant multicultural swallow" from the South Bronx, despite the pain they have caused him: a botched bris performed on Misha at age 18 by New York City's Hasid-run Mitzvah Mobile, and Rouenna running off with his stateside rival (and Shteyngart's doppelganger), Jerry Shteynfarb (author of "The Russian Arriviste's Hand Job") while Misha is stuck in Russia. The ruling class of Absurdistan is in love with the corrupt American company Halliburton, which is helping the rulers in a civil war in order to defraud the U.S. government. Halliburton, in turn, is in love with Absurdistan for the money it plans to make rebuilding Absurdistan's "inferstructure" and for the plentiful hookers who spend their nights and days by hotel pools looking for "Golly Burton" employees to service. And everyone is in love with America—or at least its money.

June Book: "the book of illusions" by Paul Auster

Vermont professor David Zimmer is a broken man. The protagonist of Paul Auster's 10th novel, The Book of Illusions, hits a period in which life seemed to be working aggressively against him. After his wife and sons are killed in an airplane crash, Zimmer becomes an alcoholic recluse, fond of emptying his bottle of sleeping pills into his palm, contemplating his next move. But one night, while watching a television documentary, Zimmer's attention is caught by the silent-film comedian Hector Mann, who had disappeared without a trace in 1929 and who was considered long-dead. Soon, Zimmer begins work on a book about Mann's newly discovered films (copies of which had been sent, anonymously, to film archives around the world). The spirit of Hector Mann keeps David Zimmer alive for a year. When a letter arrives from someone claiming to be Hector Mann's wife, announcing that Mann had read Zimmer's book and would like to meet him, it is as if fate has tossed Zimmer from one hand to the other: from grief and loss to desire and confusion.
Although film images are technically "illusions," this deft and layered novel is not so much about conscious illusion or trickery as about the traces we leave behind us: words, images, memories. Children are one obvious trace, but in this book, they are not allowed to carry their parents forward. They die early: Hector Mann losing his 3-year-old son to a bee sting just as David Zimmer has lost his two sons in the crash. The second half of The Book of Illusions is given over to a love affair, and to Zimmer's attempt to save something of Hector Mann, and of the others he has loved. In the end, what really survives of us on earth--what flickering immortality we are permitted--is left to the reader to surmise. --Regina Marler

May book: The Sports Writer by Richard Ford

As a sportswriter, Frank Bascombe makes his living studying people--men, mostly--who live entirely within themselves. This is a condition that Frank himself aspires to. But at thirty-eight, he suffers from incurable dreaminess, occasional pounding of the heart, and the not-too-distant losses of a career, a son, and a marriage. In the course of the Easter week in which Ford's moving novel transpires, Bascombe will end up losing the remnants of his familiar life, though with his spirits soaring.

April Book: Fearless Jones by Walter Mosley

Mosley mines a new shaft of 1950s Los Angeles with a hero who combines the principles of Easy with the deadliness of Ray "Mouse" Alexander. The result is a violent, heroic and classic piece of noir fiction. Narrator Paris Minton is an appealing figure an easygoing black man for whom the written word is salvation and whose nameless used bookstore in Watts is paradise. Then the beautiful Elana Love enters his store and brings with her more trouble than Paris has ever seen enough trouble that Paris knows his only hope is his friend Fearless Jones. A former soldier, Jones is a riveting new creation. He's a man of both principle and action with an innate sense of justice and as his name makes clear, he's afraid of nothing. The novel rips along with a hunt for the girl and a race among competing factions to find a missing bond that's the key to a fortune. For the black characters it's a desperate struggle to stay alive in a white world where the deck is stacked. One sly reference tells the reader we're still in the same world and time inhabited by Easy Rawlins, and that Fearless and Mouse are equally "bad." But Fearless is also a knight-errant and hopefully destined for further adventures as fine as this one.

The End of Faith - March book

Sam Harris cranks out blunt, hard-hitting chapters to make his case for why faith itself is the most dangerous element of modern life. And if the devil's in the details, then you'll find Satan waiting at the back of the book in the very substantial notes section where Harris saves his more esoteric discussions to avoid sidetracking the urgency of his message.
Interestingly, Harris is not just focused on debunking religious faith, though he makes his compelling arguments with verve and intellectual clarity. The End of Faith is also a bit of a philosophical Swiss Army knife. Once he has presented his arguments on why, in an age of Weapons of Mass Destruction, belief is now a hazard of great proportions, he focuses on proposing alternate approaches to the mysteries of life. Harris recognizes the truth of the human condition, that we fear death, and we often crave "something more" we cannot easily define, and which is not met by accumulating more material possessions. But by attempting to provide the cure for the ills it defines, the book bites off a bit more than it can comfortably chew in its modest page count (however the rich Bibliography provides more than enough background for an intrigued reader to follow up for months on any particular strand of the author' musings.)